

Double Portrait of Berdie
1955
"Double Portrait of Berdie... constitutes the most famous, or 'infamous,' representation of Rivers' mother-in-law. By depicting with merciless detail progressive images of its subject, one seated and the other upright, and moving toward the viewer's space, Rivers broke all the acceptable rules for avant-garde of the time. He points out, however, that even with such a realistic rendering of the subject, he created an 'overall' treatment of the painting's surface, a characteristic linking him, ironically with the then-dominant abstract expressionist style."
(Excerpt from the catalogue essay written by Jacquelyn Days Serwer for the exhibition
Double Portrait of Berdie is in the collection of the Whitney Museum of American Art.
"Larry Rivers: Art and the Artist" at The Corcoran Gallery of Art in 2002)